![]() The melody is praised for being one of the great songs on the album The Con which was released in 2007. The tune talks about an intense type of love that suddenly fizzled out. "There's not a concern on our end as long as it's for personal use, and done on non-professional equipment from your seat in a manner that doesn't disturb anyone. Nineteen by Tegan and Sara Tegan and Sara Nineteen OFFICIAL AUDIO This is the original song covered by Paramore’s Hailey Williams. But we live in the digital age, and we all know (including the major labels) that we can't control - nor do we wish to control - the dissemination of live recording files on the internet. That said, I can't single-handedly give you a comprehensive approval given the nature of Tegan and Sara's deal with Warner. Suffice to say, you will not receive complaints from our camp if Tegan and Sara live files end up on. ![]() I will not burden you with the details here. There are different types of copyrights in the music industry and different sets of rights holders. The issue is that Tegan and Sara are signed to a major label (Warner) and hence the nature of our approval system is inherently different than, say, Kaki King. To clarify, I'm very familiar with and philosophically I support file trading. ![]() I'm a very busy person and hence don't have the opportunity to reply to every email I receive. In the event Tegan and Sara's label (Warner) objects to these shows being shared here, they will be removed. Much like the duo’s voices, which share a timbre, a clear relationship, even if their actual tonality differs, the songs on the album complement each other, play off the other’s strengths, and make the record very much an entity instead of simply a collection of tracks, setting it off as an impressive step forward in their already commendable discography.On Decemband manager Piers Henwood gave permission for Tegan and Sara's live recordings to be shared for free on. But this isn’t to say that there’s a kind of disparity or harsh contrast on The Con. Though each sister writes and sings lead on seven tracks, it is Sara especially who writes the more intricate pieces (“Relief Next to Me,” “Like O, Like H”), showing a more adult songwriter, one who has matured since her first work came out, while Tegan draws more from simpler emo and pop-punk arrangements (“Nineteen,” “Hop a Plane”), her songs more straightforward, both compositionally and lyrically, than her sister’s. Produced by Death Cab for Cutie’s Chris Walla, the album is full of quirky, Aqueduct-like keyboards, punchy bass from Weezer’s Matt Sharp and AFI’s Hunter Burgan, and even some guitar help from Kaki King that stretch and shove their way into the spaces between Tegan and Sara’s hook-driven melodies and clean harmonies, more complex than anything they’ve done before. It was a progression, to be sure, from This Business of Art to their fourth Vapor full-length – one that can be heard in the time spent on production, the louder guitars – but that still may not prepare listeners for The Con. ![]() Studio Masters, Official Digital Download | Front Cover | © Vapor – SireĪlthough identical twin sisters Tegan and Sara Quin first appeared in the music scene in the late ’90s playing the kind of folk-rock and folk-punk more associated with other Lilith Fair (in which they participated) artists of the time, by the time 2007 rolled around they had moved into much poppier territory. FLAC (tracks) 24-bit/96 kHz | Time – 36:46 minutes | 830 MB | Genre: Alternative, Indie
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